Inxeba: Readings

What is a black queer diasporic reading of Inxeba? What is an African queer reading of Inxeba? What is a South African queer reading of Inxeba? What is a Xhosa queer reading of Inxeba? By reading, I mean at least two things. First, what does each position—black diasporic, African, South African, Xhosa—bring to the film? … Continue reading Inxeba: Readings

3 works about Kenya

3 works explain the structures of power in Kenya. Grace Musila, "Phallocracies and Gynocratic Transgressions" Wambui Mwangi, "Silence is a Woman" Shailja Patel, "Politics of Contempt" Cumulatively, these works describe how minoritized Kenyans—poor, refugees, women, forest dwellers, sex workers, queers—are rendered disposable. These works describe the powerful alliances dedicated to uphold various ethno-patriarchies. These works … Continue reading 3 works about Kenya


I am impressed–and frankly intimidated—by people who consume and regurgitate large amounts of information. In primary school, these people memorized every single political figure in Kenya, from the president to every local headman. In high school, they memorized every single Kenyan export, knowing where it was produced, in what quantities, how it was processed, and … Continue reading cram


Inxeba is a sensitive exploration of toxic masculinity and repressed same-sex love, set against the backdrop of Ulwaluko, an initiation rite into manhood practised by the amaXhosa. —Pierre de Vos  In a country that has always celebrated diversity, Inxeba asks of Xhosa men whether they are able to welcome people who are queer, or whether they have to … Continue reading Inxeba


I have writing due, writing late, writing delayed, writing suspended, writing-in-waiting, writing-to-be-imagined, but I have been stuck because of this thing I am now writing that won’t allow me to write anything else first. It started as a distraction and then became an impediment: the sentences I needed elsewhere kept coming up against  these sentences, … Continue reading difference